Disney Animation Speakeasy?

Several Minor League Baseball clubs are known for their employees only speakeasies. We’re pretty sure “The Work Room” at Walt Disney Animation studios is a spoof, especially coming from the “Ministry of Morale”. But how about that Mickey toasting a pint? Clink on Mickey, Clink on! Via Claire Smith on Instagram.


Club 33 Remodel

We sure love secret clubs. Club 33, the private members-only club hidden in New Orleans Square at Disneyland, just finished its first remodel and expansion since 1967. It’s an incredible example of Narrative Placemaking. It’s also the only place in Disneyland you can get booze. For $14,500 in annual dues you too can see their “living” animated paintings. It’s storytelling at its best. Photos from Dateline Disneyland.









Every so often it’s important to us to take a look back The Clink Room, and think about where we’ve come from and where were headed. With the launch of the new Clink shop behind us, it’s time for the 2014 State of the Room.

Last year, told us you wanted to see more caps in the Clink Shop. So we spent the past year overhauling the store loading it with more caps and unique designs. Now you view all the Clinker designs, Brandiose designs and Limited Edition designs by category. Plus there’s better images, and more views. We also added new Swag Bags with every order and if you’re a Size 8, there’s plenty in stock. You also asked for cheaper international shipping, and we found a way.

As we plan for the next year, we realize there’s some parts of The Clink Room you’ve grown to love, that have fallen by the wayside. While we’re always looking to the future, we don’t want to maintain The Clink Room’s original values and spirit. Clinker TJ said he misses the ritual countdown to a Clinker’s cap selling out : “6 left!” Others have said they miss the behind the scenes look at Brandiose’s latest work. We know we need to recapture what made Clink so special in the early years, and we want your opinion to help guide us…

1. What do you miss about The Clink Room?

2. What do you want to see more of? Less of?

3. What’s interesting? What’s gotta go?

4. What can we provide that would be a dream come true for you?

5. What would you do if you were in charge? Where do you want us to take The Clink Room?

Hiring: Freelance Programmer

Hey Clinkers!

We’re looking for a freelance Database and App Programmer to join us remotely on the Brandiose Studio Team.

You’ll be coding new features to our existing online database system, and programming our UI/UX for iOS, Android & Web.

About you:
1. Quick turnaround: You love a challenge and turn code around as fast as it’s dished up for you.
2. Pixel Perfection: A born designer, you always stay true to the original PSD files.
3. Team Player: You’re easy to work with, go above and beyond when needed, and share our “can-do” spirit.

Your skills:
PHP (Yii)
MVC (Model-View-Controller)

If you’re the talent we’re looking for (or know who is), email Jason for more details.

Clinker Patrick Finney Interview



Just released on Monday, Clinker Patrick Finney’s Heartbreakers fitted has already caused some serious traction amongst hat enthusiasts. We had a chance to catch up with Clinker Patrick Finney about his work and the Heartbreakers:

Where did your love for art and design come from?
It’s interesting to think about because I would say my original interest in art and what drives me now are different. It originally came from a desire to work with my hands and create something I find visually stimulating. I still find value in those things, but now I’m more interested in the effects of that stimulus. We react so much to what we sense and consume. Taking a color, or a shape, or a sound and attaching it to a specific feeling to it is a thoroughly fascinating process. Designing within those elements involves a lot of puzzle-solving and discovery which ultimately makes it rewarding.

What does it mean to be a “Clinker” and how did you get involved with The Clinkroom?
To me, anyone with an interest in emblem design is a qualified Clinker. Most commonly it’s from sports applications, but the inspirational sources of The Clink Room are endless and growing. I’m not sure exactly how I stumbled onto The Clink Room. I think one late night in my freelancing days I was trying to build a collection of my favorite minor league logos and I came across it. As a baseball fanatic, I’ve always been fond of the symbols that unify teams, towns and sports, so it was love at first sight with me and The Clink Room.

What us the art/design scene like in Sebastopol, California and how does your environment influence your designs?
Sebastopol is a town with a lot of character. It’s orchard country, wine country, homemade-sculptures-on-your-front-porch country. It has a great appreciation for work done by hand and as a result, the art scene is alive and well. If my work is taking cues from this environment, I try to draw from the human and land-based elements. The imperfections of hand-written signage and hand-drawn symbols, seasonal effects, and patterns from nature are all examples of that.

Please tell us about the design challenge and what was the inspiration and creative process behind your winning design?
The Heartbreakers was a submission to The Clink Room’s Shadow League Collaboration which prompted designers to submit work in a silhouette style of illustration. Given those constraints, I knew I wanted to start with a simple, bold shape just to loosely frame the composition of the mark. I experimented with variations and combinations of ellipses, triangles and diamonds. When I landed on a heart, I instantly saw a cobra posed within that outline. It was one of those creative moments where a surge of really intriguing reactions and story lines emerged from this single image. It was exciting, but at the same time, I was thinking “….from a distance this is just going to look like a heart on someone’s head….Is that going to be……cool?” It felt like a risk, but as a designer you have to embrace those uncertainties and push through them to see where you end up.
Personally, I like to connect everything to sports. So, the drama of a team’s heart-breaking loss was what I used to explain the design, but I know there are many ways to read what’s on this hat. One day, it means one thing. Another day, it’s something different. I think a lot of captivating imagery is borne out of that principle.

If you could have anyone wear The Heartbreakers hat, who would it be and why?
That’s a great question. It’s a serious hat. It has a melancholy name with this dangerous-looking creature on it. And I like all of that. I’m truly proud of it. That being said, I think it’s important to have a sense of humor about your work to keep yourself sane. It would be great if this hat found it’s way into the hands of someone like a Conan O’Brien or a Patton Oswalt. Someone who’s going to look at this hat and say “Isn’t it great we have a logo for Snakelove.com? The online matchmaking service for snakes?” To be honest, it will be extremely gratifying if anyone wears this hat. It was a fun project and it’s rare that a product with any use comes out of doing something fun.

Any exciting projects coming up?
I’m developing a blog for myself to serve as another personal creative outlet. I’m aiming to launch it before the end of 2013.

Great interview Patrick! Kick this weekend’s ass Clinkers!

Clinker Kevin Werther Interview


After winning The Clink Room’s Taco Shop League, New Yorker and loyal Clinker, Kevin Werther, has been keeping busy. In conjunction with the recent “Reboot” release of the winning design, we decided to catch up with Kevin and discuss the inspiration behind the original design, what it takes to be a “Clinker,” and why he enjoys Clink Room contests so much.

You currently work as a designer at Crosman Corporation. What is it like creatively, designing for the The Clink Room vs. designing for clients?

There is a really fun, open, “anything goes” vibe to the Clink Room contests. Casey and Jason really encourage everyone to push the boundaries and to have fun with the designs. In the “real world” I find there are so many restrictions that can really temper creativity. You really have to look actively to bend the rules. There is so much pressure in the Clink Room contests to be clever, original, and of course, talented. Every contest is a struggle to bring out my best against so many other talented designers and illustrators. Winning these contests is a blast, and losing them is always very disappointing for me.

What does it mean to be a “Clinker” and how did you get involved with The Clink Room?

To me, being a “Clinker” means being willing to put yourself out there with silly ideas and your art, and then being willing to take the constructive criticism provided to keep growing as an artist. I stumbled upon The Clink Room right in the very beginning of its existence, though I can’t remember the date. I am very interested in sports logos and uniforms, and I was excited when I heard about their blog and that was going to give us behind-the-scenes access to their work. Creating sports logos professionally is my dream job, so I was eager to soak up anything and everything Casey and Jason were willing to share. From there, the contests started, and I was hooked. I can’t think of too many other sites where you can have a direct relationship with such talented designers. I have been very fortunate to be able to trade emails and phone calls with Casey, and my illustration skills have grown tremendously from my relationship with their site and contests.

Please tell us about the Taco Shop League design challenge and what was your inspiration and creative process behind your design?

The Taco Shop League challenge was born out of Brandiose’s San Diego hometown culture. We were challenged to create a visual identity for a taco shop that is part of some sort of league—maybe a softball league or something, I guess. My goal was to come up with something clever that would make me stand out—which in my mind translates into bad puns. My first submission was a northern-based team called the “Chilly Peppers” (get it?) and featured a pepper swinging a bat. My next submission was the Taco Bulls, which as you might have noticed, is another bad pun. The original design was of a taco/bull creature. That design got a lot of praise from other participants, but Casey challenged me to push it further. He was concerned about how well a hat with a taco on it might sell (and I was a bit skeptical, too). I’m glad he pushed me further because I am really happy with the chili pepper bull that we ended up with. I had submitted three or four totally different concepts, and we settled on the pepper. Early on in the contest, I did really horrible little thumbnail sketches of anything I could think of that seemed appropriate—a mariachi band, a burrito swinging a bat, those really cool Aztec pyramids, etc.

Any exciting projects coming up?

Currently, I am continuing my day job as a graphic designer for Crosman Corporation which keeps me very busy. I have a few freelance projects on the side going on as well, but mostly, I’m looking forward to the next Clink Room contest. Those contests are a really great way to stimulate my creativity, and to learn from Brandiose and all the other participants.

Kevin’s portfolio can be seen at www.KevinWerther.com

Interview originally posted at HatClub.com

Virgin Atlantic: Part 3

Part of the Brandiose DNA is always finding new ways to make our partner’ brands famous. So you can see why I love this Virgin Atlantic ad that’s all about making their crew famous.

I’m also love seeing brands do reimagined takes on classic looks. Check out these new crew uniforms by the eccentric Vivienne Westwood. They have this fresh take on the golden age of air travel mixed with a little James Bond and a Virgin twist.